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The lines have their own rhythm and energy.
The colour comes from trying to create a sense of mood or atmosphere, recalling some past experience or event.
Sitting down in front of the blank, clean page is both exciting and daunting. Exciting because of the possibilities that exist, and daunting because it’s hard to know where and how to start.
Much of my work is about contrast. The crisp outlines, silhouettes, colours resting next to one another. The idea of creating depth by layering, movement on top of one another.
The lines have their own rhythm and energy.
The colour comes from trying to create a sense of mood or atmosphere, recalling some past experience or event.
Sitting down in front of the blank, clean page is both exciting and daunting. Exciting because of the possibilities that exist, and daunting because it’s hard to know where and how to start.
Much of my work is about contrast. The crisp outlines, silhouettes, colours resting next to one another. The idea of creating depth by layering, movement on top of one another.
CEL013, 540mm x 725mm; Ink and acrylic on acid-free paper, $525
CEL007, 210mm x 300mm; Ink, pen and pastel on paper, $140
CEL008, 525mm x 725mm; Ink and acrylic on acid-free paper, $525
CEL011, 545mm x 725mm; Ink and acrylic on acid-free paper, $1,025 (framed)
CEL002, 360mm x 540mm; Ink and acrylic on acid-free paper, $220
CEL005, 270mm x 360mm; Ink and acrylic on acid-free paper, $150
CEL001, 520mm x 700mm; Ink and acrylic on acid-free paper, $525